Hearts and Bones - Paul Simon

Hearts and Bones

Paul Simon

  • Genre:
  • Release Date: 2010-07-12
  • Explicitness: notExplicit
  • Country: USA
  • Track Count: 14

  • ℗ 2010 Paul Simon under exclusive license of Sony Music Entertainment

Tracks

Title Artist Time
1
Allergies Paul Simon 4:39
2
Hearts and Bones Paul Simon 5:39
3
When Numbers Get Serious Paul Simon 3:26
4
Think Too Much (b) Paul Simon 2:45
5
Song About the Moon Paul Simon 4:11
6
Think Too Much (A) Paul Simon 3:05
7
Train In the Distance Paul Simon 5:12
8
Rene and Georgette Magritte wi Paul Simon 3:45
9
Cars Are Cars Paul Simon 3:15
10
The Late Great Johnny Ace Paul Simon 4:53
11
Shelter of Your Arms (Work-In- Paul Simon 3:11
12
Train In the Distance (Acousti Paul Simon 3:13
13
Rene and Georgette Magritte wi Paul Simon 3:47
14
The Late Great Johnny Ace (Aco Paul Simon 3:22

Reviews

  • I love this Album!

    5
    By hereinthebronx
    This is my fave paul simon album.The first track rox! listen to the lead break on "allergies" The base line and programed drums were not over done in that 80's stile that we are so use to;it was done just right.the words to this song are playful and fun. I can go on and on about every song here,but the first 8 songs are so creative.I'm not too crazy for "cars are cars"for the rest of this album,all i can say is It's soooo underestermated.Enjoy tracks like "train,hearts,numbers,johnny ace,rene"AND a song about the moon,WOW! the words and music are pleasent to the ears...well produced,great paul simon works,all around "Agrat album" and many missed out on it(till now) that's fine....makes this one more special and even personal to me.I listen to a lot of music,i'm what you call "an old timer" when and if i write a (iTunes) review,it NEVER goes on so long like i am for this master peice. listen for yourself and agree. thank you.
  • The '80s ruined my album

    2
    By I never review stuff online
    Ugh. It's the '80s again. The '80s don't always ruin albums, but oftentimes the huge drum sound (both acoustic and electronic) get in the way and mask whatever subtle nuances a great songwriter like Paul Simon is trying to communicate. Not blown away by the songs here, either. Simon is one of my favorites, but not here. I was hoping to find a hidden gem of an album, but maybe there's a reason I hadn't heard much about this one before. It's not the solid vision of Graceland, the white soul/blues of his earlier solo albums, and it nowhere resembles what might have been a Simon and Garfunkel reunion album (which some say it was intended to be). Definitely disappointed, but it won't keep me from all the other Simon and S&G that I love.
  • Grossly under-rated, CLASSIC Simon.

    5
    By Chris Waugh
    Paul Simon is a marvel. He has written and performed legendary song after legendary song over the past 40-plus years, while putting out startlingly few actual solo albums in the process: only ten original albums in that timeframe, including two soundtrack albums. That’s approximately one album every four years…way too few for such an iconic and consistently significant musician. Paul Simon’s albums continue to be compelling and progressive, moving forward without getting lost in embarrassing fads and experimentalization. From these precious few albums, many Simon songs have worked their way into the pantheon of rock and roll classics. First, there’s the unequalled output from his partnership with Art Garfunkel, and beyond that, there’s his remarkable run of hits from the 1970’s, including, “Mother And Child Reunion,” “Loves Me Like A Rock,” “Still Crazy After All These Years,” and the tongue-in-cheek break-up song, “50 Ways To Leave Your Lover.” And for those who were paying attention, there was Simon’s thrilling mid-80’s “comeback,” Graceland, which featured the top 40 hit, “You Can Call Me Al,” ubiquitous in the spring and summer of 1987, due in part, no doubt, to the silly Chevy Chase cameo in the video, followed by the amazing and almost as big, “Diamonds On The Soles Of Her Shoes.” Sadly, though, few remember one of Simon’s very best albums, 1983’s riveting and poignant, Hearts and Bones. It’s overlooked partly, because it came after his 1970’s solo heyday and before his aforementioned mid-80’s world music resurgence. It was also ignored because it came out the year Thriller ruled the world and forever changed the tide of pop music, closing the coffin on too many 1970’s pop icons. The overarching theme of Hearts and Bones is all love, all the time, and in the Simon tradition, the album approaches the topic from the gloomy perspective. For example, Simon’s heart is literally allergic to the women he loves in “Allergies,” the lead track and the only near top-40 hit from the album. Next, Simon mournfully ponders the past and future of love with his then-wife, Carrie Fisher, in the heartsick title track, and later in the album, he thinks way too much about shaping perfect love in the companion songs, “Think Too Much (a) and (b),” where he sings, “But maybe I think too much, and I ought to just hold her, stop trying to mold her…” The former was released as a single in early 1984 and failed miserably in the wake of heinous radio hits from that year, like “Flashdance” (What A Feeling!), “Ghostbusters,” and “Islands In The Stream.” In other places, Hearts and Bones looks into its crystal ball to forecast living and loving in the new millennium, like on “When Numbers Get Serious,” where Simon foretells the pending internet age of quick results, online dating, and web-based, virtual relationships with extraordinary accuracy. “Rene and Georgette Magritte With Their Dog After The War” is a beautiful tribute to both the abstract artist, Rene' Magritte, and Simon’s beloved vocal groups of the doo-wop era: The Penguins, The Moonglows, etc. My favorite song on this classic Simon album, however, is the haunting, “The Late-Great Johnny Ace,” which discusses the (then) recent and horrific death of John Lennon, juxtaposing the tragedy with the death of early rocker, Johnny Ace, by self-inflicted gun shot to the head. Simon introduced the song at the Central Park concert in 1981 and was nearly assaulted on stage near the end of the song, apparently by an angered/crazed Lennon fan, who was quickly pulled away from Simon just inches before the attack: a strange response to a song, where Simon’s genuine love for Lennon is palpably displayed. Originally, Paul Simon had other intentions for this magnificent album about love and loss. It was initially meant to repair an old friendship, reportedly to be the long-awaited Simon and Garfunkel reunion album to follow their highly acclaimed reunion concerts two years before. Early on, the album was also going to be titled, “Think To Much,” but after thinking too much, old conflicts resurfaced between the duo, and they parted ways once again. Simon then erased Garfunkel’s vocals, turned inward, and made a stunningly personal album which autopsied friendships, people, and love affairs that ultimately came to regretful ends, finally and fittingly naming this one Hearts and Bones.

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